Dj Biz-R - The Lights
- Length: 2:52
- Rating: ( ratings)
- Views:
- Author: mezucool
Tags: amazing awesome best biz-r chicago club cool dj electro great house lights mix music nice rave remix style the very
Electro House
Final Fantasy VIII on Crack!
- Length: 5:42
- Rating: ( ratings)
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- Author: Kasandora2
Tags: Crack Depeche Eight Fantasy Final Irvine Laguna Love Mode Quistis Rinoa Seifer Selphie Squall Tainted video VIII Zell
Another amv made by my sister and me! For some reason, we like to make ridiculous amvs together, lol. Anyway, this is a Final Fantasy VIII music video (which really should be called a gmv, right?) to a remix version of the song "Tainted Love" by Depeche Mode. Basically, this is how we imagine what playing FF8 would be like if you were under the influence of something (as we've never actually been under the influence of anything while playing FF8, this is all hypothetical, lol). My sister is the one who randomly put the clips to the music (very randomly, might I add) and I went back and did all the special effects (like all the upside down, sideways stuff...it's bizarre), and thus this wacked out video was born! Hope you all enjoy!
Natures Majesty - Music
- Length: 4:28
- Rating: ( ratings)
- Views: 1
- Author: xxSniperK2xx
Tags: ambient chillout earth effects. music nature powerful sound
I hope you like my second track created via the Magix Music maker 14 Production edition. I enjoyed making this piece of music very much and I tried to show the majesty of nature and the planet earth by music.I have many more pieces of music that I'll be sharing on Youtube in my 'xv K2 vx' music playlist in the future. If you like the songs please subscribe and join me on my Youtube journey.RegardsKev
Prokofiev plays Prokofiev Visions Fugitives
- Length: 8:17
- Rating: 5.00 (2 ratings)
- Views: 14' favoriteCount='2
- Author: pianopera
Tags: Fugitives historic piano Prokofief Prokofieff Prokofiev Prokofjef Prokofjev Prokofyev recording Serge Sergei Visions
Sergei Sergeyevich Prokofiev (1891-1953):9 Pieces from Visions Fugitives (1917), recorded in 1935.1. No. 9: Allegro Tranquillo2. No. 3: Allegretto3. No. 17: Poetico4. No. 18: Con una dolce lentezza5. No. 11: Con vivacità6. No. 10: Ridicolosamente7. No. 16: Dolente8. No. 6: Con eleganza9. No. 5: Molto giocoso"Though Prokofiev is rightly remembered as a composer rather than as pianist, he was in many respects an ideal interpreter of his music. He played with more finesse - and less brute force - than many of his modern interpreters. This means Prokofiev's records lack the element of sheer adrenalin that, for instance, William Kapell brought to the 3rd Concerto; but they're nevertheless exciting, clear and intelligent - without ever seeming cerebral or systematic. He makes the Visions Fugitives sound as ephemeral as their name implies.(...)Prokofiev's melodic accents usually fall on strong beats, and frequently on long notes. Surprisingly, he accents few syncopated notes, making them even more striking when they occur. His accents are virtually always dynamic, and only occasionally agogic. It's an architectural approach aiming at a clear rhythmic structure. Prokofiev wanted the listener to feel the downbeat.(...)Poulenc likened Prokofiev's playing to "the steady unwinding of a precision clockwork motor spring" and said that Prokofiev performed his own music "very straightforwardly...Rubato made his flesh creep." (Quoted in Horowitz, The Ivory Trade, p. 97.) But we must read Poulenc's statement in the context of a time when the sense of pulse was much more supple. Compared to Paderewski, Prokofiev's playing is indeed straight; compared to most modern performances of his music, it contains a wealth of rhythmic inflections.Some of these inflections fall under the category of style, such as the rushed eighth notes in Visions Fugitives, #6. These upbeats are shortened to give added emphasis to the following downbeats. Prokofiev generally rushes short groups of notes that form upbeats, arriving at the downbeat slightly early. Examples include Visions Fugitives no. 5, 10, and 11."(Mark Arnest)
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