Dancing music - Italian dancing music Uccio Aloisi Gruppu

  • Length: 3:26
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  • Author: 235binelli

Tags: aloisi  concert  dance  dancing  folklore  italian  italy  live  music  naples  party  pizzica  puglia  tarantella  traditional  world 

Dancing live an Italian tarantella music, the best expression and feeling of the Italian traditions. Any Italian in the world should know that Mr Uccio Aloisi and his Gruppu still executes a real Italian tarantella music for dance and party dancing. CONTACT UCCIO ALOISI FOR A LIVE CONCERT in THE UNITED STATES, AUSTRALIA, ARGENTINA, CHILE, BRAZIL...Magico Baile tradicional Italiano la famosa Tarantella Pugliese que tambien se baila en Napoles (Napoli) CONTACTA UCCIO ALOISI PARA TU FIESTA O FESTIVAL ITALIANO EN ESTADOS UNIDOS, ARGENTINA, CHILE, BRAZIL, AUSTRALIA...Uccio Aloisi Gruppu, Domenico Riso, Gino Nuzzo and the Maestro Antonio Calsolaro and Mr. Uccio Aloisi performance this excelent Italian tarantella (called pizzica pizzica in Salento) in a very nice and old place in Pressice Italy maintaining the original tarantella 's style of the last centuries. for more info about Uccio Aloisi Gruppu please visit http://www.italianbusinessguide.com/MUSIC OF ITALYThe music of Italy ranges across a broad spectrum of opera and instrumental classical music, the traditional styles of the country's different regions, and a body of popular music drawn from both native and imported sources. Music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in society and in politics. Italian innovation in musical scales, harmony, notation, and theatre enabled the development of opera in the late 16th century, and much of modern European classical music, such as the symphony and concerto.TRADITIONAL MUSIC OF ITALY (NAPOLI and SALENTO)The most important are Neapolitan song, canzone Napoletana and the tarantella called pizzica pizzica in Salento Puglia. Besides opera, some regional music in the 19th century also became popular throughout Italy. Notable among these local traditions was the Canzone Napoletana the Neapolitan Song and the Tarantella. Although there are anonymous, documented songs from Naples from many centuries ago, the term, canzone Napoletana now generally refers to a large body of relatively recent, composed popular music—such songs as "'O sole mio", "Torna a Surriento", and "Funiculi Funicula". In the 18th century, many composers, including Alessandro Scarlatti, Leonardo Vinci, and Giovanni Paisiello, contributed to the Neapolitan tradition by using the local language for the texts of some of their comic operas. The tarantella as traditional music of Naples, Calabria and Salento (Puglia) was developed by popular songs created by anonymous folks and are part of the Italian 19th century style.The stately courtship tarantella is danced by a couple or couples, short in duration, graceful and elegant, and features characteristic music. The supposedly curative or symptomatic tarantella is danced solo by a supposed victim of a "tarantula" bite, agitated in character, may last from hours to days, and features characteristic music.The first dance originated in Naples and the second in Salento la Puglia. The Neapolitan tarantella is a courtship dance performed by couples whose "rhythms, melodies, gestures and accompanying songs are quite distinct" featuring faster more cheerful music.Its origins may further lie in "a fifteenth-century fusion between the Spanish Fandango and the Moresque 'ballo di sfessartia.'" The "magico-religious" tarantella is a solo dance performed supposedly to cure through perspiration the delirium and contortions attributed to the bite of a spider at harvest (summer) time. The dance was later applied as a supposed cure for the behavior of neurotic women.UCCIO ALOISI GRUPPUis one of the most rappreentative group of Italian folk musicians, mister UCCIO ALOISI an 80 years old singer, called the Italian Compay Segundo, maintain the original traditional Italian style to transmit sensations and passion with each songUCCIO ALOISI GROUP 2008Uccio Aloisi (Italian Compay Segundo)Maestro fra i Maestri voiceDomenico Riso Voice and drums (Tamburello)Maestro Antonio Calsolaro mandolin and guitarFrancesco Polito Mandolin and guitarGino Nuzzo voice and drums (tamburello)Alessandro Grecuccio accordion and voice(fisarmonica)Lucia Passadeo Voice and chorusPasquale Pizzolante drums (Tamburello)

WALTZ Mandolin Maestro "Antonio Calsolaro" - Italian valzer

  • Length: 4:53
  • Rating: 5.00 (4 ratings)
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  • Author: 235binelli

Tags: aloisi  calsolaro  classical  italian  maestro  mandolin  mandolina  mandolino  music  traditional  uccio  vals  valzer  waltz  world 

A beautiful WALTZ (walzer, valse, vals, valzer) plays with an incredible traditional Italian mandolinThe Italian mandolin Maestro ANTONIO CALSOLARO (Mandolin) and Francesco Polito (Guitar), explains how the traditional Mandolin music was introduce, during the 18th century, in the "Italian Barbers Saloon". The Maestro Calsolaro execute an excelent traditional WALTZ music during a nice "Serata music meeting" in Presicce Italy. The Maestro Calsolaro plays for UCCIO ALOISI GRUPPU, the most important group of traditional folk Italian music. Mr Uccio Aloisi called the Italian Compay Segundo is the real "MATADOR" of the Notte della Taranta (Tarantism music festival in Lecce Italy) for more info about the walz music in Italy, UCCIO ALOISI GRUPPU and Maestro Antonio Calsolaro visit: http://www.italianbusinessguide.com/ITALIAN MANDOLIN Mandolins evolved from the lute family in Italy during the seventeenth and eighteenth centuries, and the deep bowled mandolin produced particularly in Naples became a common type in the nineteenth century. The original instrument was the mandore which evolved in the fourteenth century from the lute. The first evidence of modern steel-strung mandolins is from literature regarding popular Italian players who traveled through Europe teaching and giving concerts. Notable is Signor Leone and G. B. Gervasio who traveled widely between 1750 and 1810. This, with the records gleaned from the Italian Vinaccia family of luthiers in Naples, Italy, lead some musicologists to believe that the modern steel-strung mandolin was developed in Naples by the Vinaccia family. Gennaro Vinaccia was active circa 1710 to circa 1788, and Antonio Vinaccia was active circa 1734 to circa 1796. An early extant example of a mandolin is one built by Antonio Vinaccia in 1772 which resides at the Victoria and Albert Museum in London, England. Another is by Giuseppe Vinaccia built in 1763, residing at the Kenneth G. Fiske Museum of Musical Instruments in Claremont, California.[4] The earliest extant mandolin was built in 1744 by Gaetano Vinaccia. It resides in the Conservatoire Royal de Musique in Brussels, Belgium MAESTRO ITALIANO DE LA MANDOLINAEl maestro Antonio Calsolaro junto a su alumno FRANCESCO POLITO interpreta magistralmente su Mandolina una pieza del folklore Italiano en tiempo de VALS (valzer o waltz) con la sabiduria del Maestro y del hombre de experiencia que toca la mandolina desde pequeno en familia como expresion digna de la cultura y tradicion de Italia. El Maestro Calsolaro es pieza importante del grupo de musica tradicional Italiana UCCIO ALOISI GRUPPU que son los MATADORES del festival de musica pizzica Notte della Taranta que se realiza en Melpignano Lecce Italia todos los veranos (Notte della Taranta = Noche de la tarantula)UCCIO ALOISI GROUP 2008Uccio Aloisi (Italian Compay Segundo) Maestro fra i Maestri voiceDomenico Riso Voice and drums (Tamburello)Maestro Antonio Calsolaro mandolin and guitarFrancesco Polito Mandolin and guitarGino Nuzzo voice and drums (tamburello)Alessandro Grecuccio accordion and voice(fisarmonica)Lucia Passadeo Voice and chorusPasquale Pizzolante drums (Tamburello)

Mandolin Maestro "Antonio Calsolaro" - Italian QUADRIGLIA

  • Length: 4:42
  • Rating: 4.00 (4 ratings)
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  • Author: 235binelli

Tags: aloisi  calsolaro  folklore  italian  italy  maestro  mandolin  mandolino  music  quadriglia  tarantella  traditional  uccio  world 

Quadriglia and Mazurca for our sweet dreams, like a classic music coming from the heaven... The Italian mandolin Maestro ANTONIO CALSOLARO and Francesco Polito (Guitar), explains how the traditional Mandolin music was introduce, during the 18th century, in the "Italian Barbers Saloon". The Maestro Calsolaro execute an excelent traditional QUADRIGLIA and a MAZURCA music during a nice "Serata music meeting" in Presicce Salento Italy. The Maestro Calsolaro plays for UCCIO ALOISI GRUPPU, the most important group of traditional folk Italian music. Mr Uccio Aloisi called the Italian Compay Segundo is the real "MATADOR" of the Notte della Taranta (Tarantism music festival in Lecce Italy) for more info about UCCIO ALOISI GRUPPU and Maestro Antonio Calsolaro visit: http://www.italianbusinessguide.com/ITALIAN MANDOLIN Mandolins evolved from the lute family in Italy during the seventeenth and eighteenth centuries, and the deep bowled mandolin produced particularly in Naples became a common type in the nineteenth century. The original instrument was the mandore which evolved in the fourteenth century from the lute. The first evidence of modern steel-strung mandolins is from literature regarding popular Italian players who traveled through Europe teaching and giving concerts. Notable is Signor Leone and G. B. Gervasio who traveled widely between 1750 and 1810. This, with the records gleaned from the Italian Vinaccia family of luthiers in Naples, Italy, lead some musicologists to believe that the modern steel-strung mandolin was developed in Naples by the Vinaccia family. Gennaro Vinaccia was active circa 1710 to circa 1788, and Antonio Vinaccia was active circa 1734 to circa 1796. An early extant example of a mandolin is one built by Antonio Vinaccia in 1772 which resides at the Victoria and Albert Museum in London, England. Another is by Giuseppe Vinaccia built in 1763, residing at the Kenneth G. Fiske Museum of Musical Instruments in Claremont, California.[4] The earliest extant mandolin was built in 1744 by Gaetano Vinaccia. It resides in the Conservatoire Royal de Musique in Brussels, Belgium MAESTRO ITALIANO DE LA MANDOLINAEl maestro Antonio Calsolaro junt a su alumno FRANCESCO POLITO interpreta magistralmente su Mandolina una pieza del folklore Italiano con la sabiduria del Maestro y del hombre de experiencia que toca la mandolina desde pequeno en familia como expresion digna de la cultura y tradicion de Italia. El Maestro Calsolaro es pieza importante del grupo de musica tradicional Italiana UCCIO ALOISI GRUPPU que son los MATADORES del festival de musica pizzica Notte della Taranta que se realiza en Melpignano Lecce Italia todos los veranos (Notte della Taranta = Noche de la tarantula)UCCIO ALOISI GROUP 2008Uccio Aloisi (Italian Compay Segundo)Maestro fra i Maestri voiceDomenico Riso Voice and drums (Tamburello)Maestro Antonio Calsolaro mandolin and guitarFrancesco Polito Mandolin and guitarGino Nuzzo voice and drums (tamburello)Alessandro Grecuccio accordion and voice(fisarmonica)Lucia Passadeo Voice and chorusPasquale Pizzolante drums (Tamburello)

Mandolin Maestro "Antonio Calsolaro" - Italian POLKA

  • Length: 3:32
  • Rating: 5.00 (3 ratings)
  • Views: 250' favoriteCount='3
  • Author: 235binelli

Tags: aloisi  calsolaro  folklore  italian  italy  maestro  mandolin  mandolina  mandolino  music  tarantella  traditional  uccio  world 

The Italian mandolin Maestro ANTONIO CALSOLARO and Francesco Polito (Guitar), explains how the traditional Mandolin music was introduce, during the 18th century, in the "Italian Barbers Saloon". The Maestro Calsolaro execute an excelent traditional POLKA music during a nice "Serata music meeting" in Presicce (Salento) Italy. The Maestro Calsolaro plays for UCCIO ALOISI GRUPPU, the most important group of traditional folk Italian music. Mr Uccio Aloisi called the Italian Compay Segundo is the real "MATADOR" of the Notte della Taranta (Tarantism music festival in Lecce Italy) for more info about UCCIO ALOISI GRUPPU and Maestro Antonio Calsolaro visit: http://www.italianbusinessguide.com/ITALIAN MANDOLIN Mandolins evolved from the lute family in Italy during the seventeenth and eighteenth centuries, and the deep bowled mandolin produced particularly in Naples became a common type in the nineteenth century. The original instrument was the mandore which evolved in the fourteenth century from the lute. The first evidence of modern steel-strung mandolins is from literature regarding popular Italian players who traveled through Europe teaching and giving concerts. Notable is Signor Leone and G. B. Gervasio who traveled widely between 1750 and 1810. This, with the records gleaned from the Italian Vinaccia family of luthiers in Naples, Italy, lead some musicologists to believe that the modern steel-strung mandolin was developed in Naples by the Vinaccia family. Gennaro Vinaccia was active circa 1710 to circa 1788, and Antonio Vinaccia was active circa 1734 to circa 1796. An early extant example of a mandolin is one built by Antonio Vinaccia in 1772 which resides at the Victoria and Albert Museum in London, England. Another is by Giuseppe Vinaccia built in 1763, residing at the Kenneth G. Fiske Museum of Musical Instruments in Claremont, California.[4] The earliest extant mandolin was built in 1744 by Gaetano Vinaccia. It resides in the Conservatoire Royal de Musique in Brussels, Belgium MAESTRO ITALIANO DE LA MANDOLINAEl maestro Antonio Calsolaro junt a su alumno FRANCESCO POLITO interpreta magistralmente su Mandolina una pieza del folklore Italiano con la sabiduria del Maestro y del hombre de experiencia que toca la mandolina desde pequeno en familia como expresion digna de la cultura y tradicion de Italia. El Maestro Calsolaro es pieza importante del grupo de musica tradicional Italiana UCCIO ALOISI GRUPPU que son los MATADORES del festival de musica pizzica Notte della Taranta que se realiza en Melpignano Lecce Italia todos los veranos (Notte della Taranta = Noche de la tarantula)UCCIO ALOISI GROUP 2008Uccio Aloisi (Italian Compay Segundo)Maestro fra i Maestri voiceDomenico Riso Voice and drums (Tamburello)Maestro Antonio Calsolaro mandolin and guitarFrancesco Polito Mandolin and guitarGino Nuzzo voice and drums (tamburello)Alessandro Grecuccio accordion and voice(fisarmonica)Lucia Passadeo Voice and chorusPasquale Pizzolante drums (Tamburello)

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