het geluid van q music 21 oktober 2008

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  • Author: hetgeluidvanq

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het geluid van q music oktober 2008bron: http://www.hetgeluidvanq.nl

Rockstars of the Web and BLØF

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  • Author: mobuzz

Tags: blog08  bløf  concertatsea  music  oktober  rockstars 

http://dailybuzz.mobuzz.tv At BLOG08 "Rockstars of the Web" we interview Bas Kennis of BLØF about pushing the limits of interactivity in music. From the Conceratsea portal to the new Mash-up album Oktober, BLØF is the number one band in Holland making waves with technology. Thanks to the organizers Ernst-Jan and Edial for having us.

het Geluid van Q-music (oktober 2008)

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  • Author: Viancen

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Het spannendste radiospelletje van nederland! Het bleek een autoaansteker, 21.700 euro waard!

Chopin Etude Op.10 No. 5-"Black Keys"- Michel Mañanes (Live)

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  • Author: michelmans

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Michel Mañanes plays the " Black Keys" Etude of Chopin op.10 n. 5 Live.Michel Mañanes studies piano in France, Spain and Austria. With recitals for Europa and Suramerica-. He won first prize in several young piano competitions. He is a recognized and highly successful piano teacher and continues to give concerts. The Chopin etudes are the foundation of a new system of technical piano playing that was radical and revolutionary the first time they appeared. These etudes are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed works in both concert and private stages.Some are so popular they have been given nicknames;arguably the most popular of all is the Revolutionary Etude (Op. 10, No. 12). Although no nicknames are official, they create interesting pretext and encourage the imagination to fabricate epic works embodied by these studies. This study op.10 no.5 is called "Black Keys".All 27 etudes were published during Chopin's lifetime. Opus 10, the first group of 12, were composed throughout 1829 and 1832, and were published in 1833, in France, Germany, and England. The 12 études of Opus 25 were composed at various times between 1832 and 1836, and were published in the same countries in 1837. The final three, part of a series called "Méthode des méthodes de piano" compiled by Moscheles and Fetis, were composed in 1839, without an assigned opus number. They appeared in Germany and France in November 1840, and England in January 1841.Accompanying copies of these important early editions, there are usually several manuscripts of a single étude in Chopin's own hand, and additional copies made by his close friend,Jules Fontana,along with editions of Carl Mikuli, Chopin's student.Although sets of exercises for piano had been common from the end of the 18th century (Carl Czerny was the composer of a great number of the most popular), Chopin's not only presented an entirely new set of technical challenges, but were the first to become a regular part of the concert repertoire. His études are widely regarded as the first to combine musical substance and technical challenge to form a complete artistic form.They are often held in high regard as the product of mastery of combining the two, when previously technique and emotion must have been separated. This is especially poignant when compared to Czerny's etudes, which are called "emotionally meaningless" by modern critics.His effect on contemporaries such as Franz Liszt was apparent, based on the revision Liszt made to his series of concert études after meeting Chopin. Furthermore, Schumann, Debussy, Prokofiev, and Rachmaninoff, major composers of piano music after Chopin's time, all composed études in the Chopin style, with epic melodies and strict binary form.Contemporary Polish musicologist Tadeusz A. Zielinski wrote, on opus 10, that "not only did they become an orderly demonstration of a new piano style and the formulas peculiar to it, but also an artistic ennoblement of this style."Unlike most previous technical studies, which sought to cultivate an independence of finger action driven from the wrist, Chopin's require the engagement of the entire playing mechanism from the shoulder downwards. For example, Op. 10, No. 1 consists of a series of wide broken chords whose span is unreachable for all but the largest hands — it is therefore necessary to use the arm to guide the fingers from note to note. Similarly, Op. 25, No. 10 is a study in octaves in both hands that requires powerful and flexible movements from the shoulders. Abby Whiteside, the 20th century pedagogue whose views on finger independence are perhaps the most scathing of any author on the subject of piano technique, made the Chopin Études the focus of all her writings — for her they were the final proof of the total inadequacy of any attempt to delegate either strength or direction to the weakest muscles of the playing apparatus.Étude Op. 10, No. 5 in G-flat major, also known as the Black Key Étude, is a solo piano work composed by Frédéric Chopin in 1830. This work is characteristic for the arpeggios played with the right hand, almost exclusively on black keys except in measure 66, where Chopin wrote an F-natural, the only white key for the right hand throughout the entire piece.The left hand plays the melody, with mostly chords and octaves, while the right hand accompanies with the fast triplets on black keys

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