Alegrias Flamenco duet Kertsopoulos Blazaki

  • Length: 3:20
  • Rating: 5.00 (2 ratings)
  • Views: 558' favoriteCount='1
  • Author: gkertsopoulos

Tags: Alegrias  Blazaki  entertainment  flamenco  Kertsopoulos  music  spanish 

Dionysia Blazaki and Yorgos Kertsopoulos at the International Guitar Festival in Athens, Nov. 1997,live in concert, interpret the work Alegrias - Flamenco by Yorgos Kertsopoulos.Dionysia plays on the air pedal guitar constructed by Yorgos. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, the Romero family, C.Parkening, Alirio Diaz, R.Dyens, L.Almeida, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.

Flamenco 3d Double course guitar Kertsopoulos

  • Length: 3:17
  • Rating: 4.38 (8 ratings)
  • Views: 774' favoriteCount='2
  • Author: gkertsopoulos

Tags: Danza  Farruca  flamenca  Flamenco  guitar  improvisation  Kertsopoulos  Mora  music  Rumba  Spanish 

An improvisation on three different flamenco rythms played by Yorgos Kertsopoulos live in concert, a Farruca for start, a danza mora dedicated to Sabicas, ending up with a rumba flamenca...In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, the Romero family, C.Parkening, Alirio Diaz, R.Dyens, L.Almeida, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.

Rasgueado Sun Double course guitar Kertsopoulos

  • Length: 3:54
  • Rating: 5.00 (5 ratings)
  • Views: 841' favoriteCount='2
  • Author: gkertsopoulos

Tags: course  double  entertainment  flamenco  guitar  Kertsopoulos  music  Rasgueados  rasgueo  spanish  sun 

Rasgueado Sun, composed and played live in concert by Yorgos Kertsopoulos on a double course guitar possessing octaves. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, the Romero family, C.Parkening, Alirio Diaz, R.Dyens, L.Almeida, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.

Malaguena flamenco Double course guitar Kertsopoulos

  • Length: 3:0
  • Rating: 4.92 (13 ratings)
  • Views: 1450' favoriteCount='5
  • Author: gkertsopoulos

Tags: entertainment  flamenco  guitar  Kertsopoulos  Lecuona  Malaguena  music  rasqueados  Spanish 

Malaguena by Lecuona arranged and played in concert by Y.Kertsopoulos on a double course guitar possessing octaves. In 1948 A.Segovia introduced the nylon string aesthetic of A.Augustine. The classical and flamenco guitar enjoys this aesthetic for more than sixty years and J.Bream, J.Williams, D.Fampas, G.Miliaresis,the Romero family, C.Parkening, Alirio Diaz, R.Dyens, A.Lagoya, I.Presti, L.Almeida, Evangelos & Liza, N.Mavroudis, V.Boudounis, C.Kotsiolis, K.Grigoreas, G.Mavroidis, Paco de Lucia, P.Pena, C.Montoya, Sabicas, Serranito are only a few of the guitarists that play with great success this aesthetic which has worldwide acceptance today. A.Barrios and H.V.Lobos played with metal strings while D.Prat, A.Lauro, F.Tarrega, R.Montoya played with gut strings. At the time of M.Giuliani, M.Carcassi, L.Legnani, F.Carulli, F.Sor, D.Aguado the guitar was strung with metal, gut and silk strings and had either double courses or single strings. Also further back in history G.Sanz, Bermudo, Brescianello played the guitar in higher pitched tunings and the triple strung guitarra battente was popular mainly in Italy. Y.Kertsopoulos introduced in 1994 the Kertsopoulos Aesthetics which as a multiplex open architecture scheme provide the possibility of reviving and realizing the many faces of the guitar's aesthetics, as they have been recorded in history. Among many guitarists that play the aesthetics Smaro Gregoriadou has made many succesful first world presentations of different aspects of aesthetic styles in guitar interpretation.

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