MADONNA MUSIC FRONT ROW STICKY AND SWEET TOUR IZOD CENTER OCT 4TH
- Length: 1:11
- Rating: 5.00 (5 ratings)
- Views: 303' favoriteCount='1
- Author: MadonnaTour2008
Tags: 2008 4TH AND CENTER dj FRONT HIGH HQ IZOD jersey last life LIVE MADONNA MEADOWLANDS MUSIC my new NIGHT nj OCTOBER OPENING QUALITY ROW saved STICKY SWEET TOUR
http://www.myspace.com/stickyandsweettour - Amazing front row video shot by Chris of Madonna singing MUSIC @ The Izod Center during The Sticky and Sweet Tour!
The Ugliest Prettiest Rapper's 1st Blog!!
- Length: 1:25
- Rating: ( ratings)
- Views: 27
- Author: FrankyBangaz
Tags: Bangaz Defacto Franky Front Like Music Spanish yuhh.
hello world.
50Cent - 50Cent For President
- Length: 2:43
- Rating: 5.00 (4 ratings)
- Views: 994' favoriteCount='1
- Author: XxAcidusxX
Tags: 50 50Cent cent Curtis for president
Curtis Jackson announced his bid for the Oval Office over the weekend when he posted a song via his Web site called " 50 Cent for President." Although the track doesn't really dwell too much on Fif's political views (which have been up in the air during this year's presidential election), he does reiterate that he wants to be music's number-one candidate. "My main aim is to take away pain," he raps, giving a glance into his campaign platform. "It's OK — get f---ed up, man/ ... For five years, I'm the n---a you been hating on/ December 9, I'mma give you what you waiting for." That date he refers to is the planned launch of his next album, Before I Self Destruct. During the last minute of the track, 50 just talks, telling the listener he's in Detroit working on the album with Eminem and Dr. Dre. "I'm like Prince right now," he says in the song. "This is like 'Purple Rain,' baby" — in the sense that he's putting out an album and a companion film simultaneously. The album, he promises, will have a similar feel to his debut, Get Rich or Die Tryin'. "What we did in the past doesn't even count to n---as no more," G-Unit member Tony Yayo told us recently. "You gotta stay on n---as' necks now. [The fans,] they wanna hear some new sh--. Hip-hop changes, man. "Ain't no love in the industry," Yayo added, addressing the reception to the G-Unit group effort T.O.S.: Terminate on Sight. "You just have to be business-orientated. T.O.S. was a good album. The streets loved it. It wasn't commercial. And basically, it's something on the catalog; we go to the next project. I feel like a new artist right now. I feel like we're starting all over." Yayo said that the low sales for Terminate on Sight have only driven the Unit's captain to make some of his best work to date. Still, Yayo said the meager SoundScan showing last time around had nothing to do with his camp's musical quality. "T.O.S., I feel like sometimes the things that 50 and Jimmy Iovine go through trickle down on us," Yayo said. "50 is the kind of person, he has so much power and money, sometimes I think the label gets intimidated by that. None of his artists have to starve. Me and Banks and Buck, we all was good. If Interscope don't wanna throw me an advance, I can always get the quarter mil, half a mil from Fif. I feel [T.O.S.] wasn't marketed, period. Even with the iTunes, people tried to order the album, they couldn't order the album. We had weak preorders. We didn't go on a good promo run. ... 50 has one more album left [on his Interscope contract]. If you're Jimmy Iovine or somebody, when you know you have that leverage, why not let the G-Unit album fail so we can give you less money if you come back to negotiate with us? If the album does well, I have to give you more money." On the movie side, 50 isn't letting a major company interfere with his artistic vision. He wrote, co-directed and stars in the "Before I Self Destruct" film. "Fif is a brilliant businessman," Treach, one of the movie's co-stars, said. "He let me know all the money he spent on his first movie, 'Get Rich or Die Tryin'.' He was like, 'I'll never spend that much on a movie again. I know the numbers now. I know how to make it. It ain't no six months on a movie type sh-- no more.' The game changed on the music front and on the movie front. He knows how to cut the corners, what needs to be done, how much time, the budget. He's on his game. He's doing things on his pace that he's gonna put the official stamp on Hollywood. He's gonna change the game for Hollywood." Treach — who along with the rest of his group, Naughty by Nature, will be given major props as part of VH1's "Hip-Hop Honors" on October 6 — says 50 called him to be down with the production through a mutual friend. "50, we got family from the same Queens area," the rap legend explained. "When he had the 'How to Rob' record, the only name he didn't mention was Treach. A homie of ours, J. Jesses Smith, he's directing [the movie]. We done some work on some videos back in the day and stuff. We work at the same gym, me and the director. So he was like, 'Fif wanted to get a role for this movie he's shooting.' One night, he wanted me to come in and check the set. He was filming in the projects in Patterson, New Jersey. So I came through, 2 in the morning, kicked it with the homie. That next week, he had a slot for me to come up and do a scene. I have a nice little scene in there." Treach also noted that 50 has compartmentalized his two careers. "50 is so coordinated with his stuff, he don't clutter his box up," Treach said. "When we doing a movie, we talking film business. When we doing music, we talking music business." There is no official word on when the "Before I Self Destruct" movie will be released. There has also been no announcement on whether the film will come out in theaters or go straight to DVD.
Front 242 - Tragedy For You
- Length: 3:54
- Rating: 5.00 (4 ratings)
- Views: 316' favoriteCount='2
- Author: dsmusiclab
Tags: 242 80 alternativo anos De dj ebm eighties eletrônica for front guru hit Jean-Luc love Meyer music nightlife parade schwab sex techno top tragedy trance world you
Front 242s entire history was clearly defined from the start when Daniel B. and Dirk Bergen released the first single "Principles" with the hit song "Body to Body in 1981. In 1982, Patrick Codenys - keyboards and Jean-Luc De Meyer - vocals join Front 242 and they release the single "U-Men" followed by the first full-length album "Geography". This album already displayed the cold, synthetic brand of dance music that would become Front 242s signature sound in the following years. In 1983, Dirk Bergen left and Richard 23 joined the band as stage performer and vocalist. The band created its own label , and the organization which promoted music from Belgium. 1983 saw the release of an EP Endless Riddance and the re-release of the first two singles under the title Two-In-One. The band developed and quickly reached a specialised audience in Europe. With the second full-length album No Comment in 1984 the term surfaced to describe the synthetic and physically charged qualities of Front 242s music and sounds recycled from the media and television. In 1985, the fabulous Politics Of Pressure was released on 24 track. That year, the band played for the first time in large European festivals and flew to the U.S.A. for some live performances. They were soon tagged as a very powerful live group. The international breakthrough came in 1987 following the signing to Wax Trax in the United States and Red Rhino in Europe with the release of the single Interception and the albums Backcatalogue and Official Version. This album had a busier sound picture in contrast to the minimalism of the first two studio albums. In 1988, Front 242 released the groundbreaking album "Front by Front", taking their sound to its logical extreme. Preceded by the dance-club hit single "Headhunter" and its prize-winning video directed by Anton Corbijn, Front By Front was the band's most streamlined and dance-oriented release, with an index/bpm chart displayed on the sleeve for DJ convenience. This release firmly placed the group as a major driving force of electronic music.For their next album release Tyranny For You in 1991, Front 242 was approached by Epic Records U.S. In the next two years Epic did not only release Tyranny For You, but also the entire back catalogue with additional material and new covers. Two different versions of Tragedy For You were lifted from the album. For the first time Front 242 was remixed by other bands: The Orb and Prodigy. The sound of these singles differed somewhat from Front 242's previous releases. The Orb and Prodigy brought a richer and more varied sound.When Front 242 resurfaced at the end of 1993, it was with a radically new sound and two new CDs "06:21:03:11 Up Evil" and "05:22:09:12 Off"released within a few months of each other. Front 242 enlisted the services of a number of production people and musicians, giving the sound on both CDs an extremely rich and layered quality. 06:21:03:11 Up Evil is the opposite of "05:22:09:12 Off"; the two CDs are based on the duality of good and evil. While 06:21:03:11 Up Evil utilizes guitars extensively and has a more chaotic sound, "05:22:09:12 Off"; is a more melodic CD with female vocals giving the music a sense of beauty that is not normally present in Front 242's music. In 1994, Front 242 released "Live Code" which was recorded during their last world tour.The group's influence from other electronic bands and producers became apparent when Front 242's 1995 release "Mut@ge.Mix@ge" featured remixes by Prodigy, The Orb and Underworld. More than just a remix album, all the tracks were reedited in a specific order by Front 242 to provide continuity of enveloping atmospheres and rhythms.In 1997, Billboard Encyclopaedia featured Front 242 in their "Top 500 Best Producers in Rock History".After a three-year sabbatical, the band decided to undertake a World Tour. Playing live had always been a good way for them to experience excitement and creativity.In 1998, Front 242 released "Re:Boot", a live album that included new sounds and structures in order to present updated versions of previous Front 242 tracks, once again creating unique sounds and songs.In 2003, after a long studio absence, Front 242 released the EP "Still & Raw" and the album "Pulse". Based on an aesthetic from the 70s and 80s, when German bands influenced the roots of todays electronic music. Front 242 re-invented the original sound that was at the centre of their art and enriched it by 20 years of experience. Analogue technologies and vintage machines pulsing into deconstructed tracks where emotion and research leads to a purely electronic attitude.Recent years have seen the members of Front 242 taking a break to pursue various solo projects.http://www.front242.com ..
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