Giulio Caccini - Amor, io parto - Johannette Zomer
- Length: 3:9
- Rating: 5.00 (3 ratings)
- Views: 181' favoriteCount='6
- Author: civileso
Tags: Amor Caccini Fred Giulio io Jakobs Johannette madrigal musiche nuove parto Zomer
High resolution and stereo sound:http://www.youtube.com/watch?v=q6_5E4YdLIE&fmt=18Giulio Caccini(c.1550-1680)Amor, io partoMadrigal for soprano voice, from "Le nuove musiche, 1601" set on an anonymous textIn this recording:Johannette Zomer, sopranoFred Jakobs, theorboChannel ClassicsThe score I used is from a facsimile copy of Caccini's Le Nuove Musiche, 1601. I didn't edit the score at all, except that I cleared the specks around it . Here and there, the text may not be so easy to read on the score. But, as always, I included the text in modern spelling and the translation."Caccini's Le Nuove Musiche is a collection of works for solo voice and basso continuo. Caccini uses two distinct compositional styles in the collection: twelve "madrigals" -- through-composed, somewhat rhythmically-free compositions with rhapsodic passages designed to emphasise the important words in the text -- and ten "arias" which are shorter and usually strophic....The type of solo "madrigal" pioneered by Caccini is distinguished from the polyphonic madrigal which was the most popular form of secular composition during the late Renaissance."- Sheila Barnes"Madrigals are, according to Caccini's definition, through-composed one part pieces which are usually elaborately ornamented on non-strophic texts whose metric structure is irregular....One main theme dominates all of the poems upon which Caccini's Nuove Musiche is based: love. Two literary forms reflect the two aspects of love, the elegiac madrigal, in which the plaint of the hapless lover finds its expression, and the canzonetta, in which the joy of reciprocated love and the rapturous desire of the young lover is celebrated in many stanzas. In setting the madrigals Caccini chose a free recitative form, whereas the canzonette find their musical counterpart in rhythmically striking arie, which bear similarity to dance songs"- Silke Leopold"Among the notational innovations developed by Caccini was the specification and writing out of ornamentation. Previously, ornamentation had always been left to the discretion of the performers. In order to eliminate "excesses" on the part of singers (which presumably obscured the text), Caccini wrote out the music exactly as he wished it to be performed. He did, however, still allow for improvisation to emphasise significant words and cadences. The use of ornamentation was thus restricted to expressing the text, and was no longer an end in itself, as had been the case in earlier vocal practice. One type of ornamentation specified by Caccini, which may be less familiar to modern ears is the trillo: a kind of "tremolo" in which fluctuations of intensity are sounded like a reiteration of the note. Caccini includes the trillo in "the good manner of singing" as a thing written one way, but sung another way "for more grace" and "refinement" ("squisitezza"), qualities of which Castiglione would have approved."- Sheila BarnesOriginal text:Amor, io parto, e sento nel partireal penar, al morire,ch'io parto da colei ch'è la mia vita,se ben ella gioiscequand'il mio cor languisce.O durezza incredibil'e infinitad'anima che 'l suo corepuò restar morto, e non sentir dolore!Ben mi trafigge amorel'aspra mia pen', il mio dolor pungente,ma più mi duol il duol ch'ella non sente. Translation (by Flavio Ferri Benedetti): Love, I depart, and I feel while I part,while I suffer and while I die,that I part from her who is my life,although she rejoiceswhen my heart languishes.O incredible, endless harshnessof the soul: her heartcan die without feeling pain!Love pierces wellmy bitter pain and my sharp grief,but even more painful is the grief that she does not feel.
Giulio Caccini - Amor, io parto - Montserrat Figueras
- Length: 3:31
- Rating: 5.00 (6 ratings)
- Views: 202' favoriteCount='4
- Author: civileso
Tags: Amor Caccini Figueras Giulio Hopkinson io madrigals Montserrat musiche nuove parto Smith
High resolution and stereo sound:http://www.youtube.com/watch?v=ClXFHhaACgs&fmt=18Giulio Caccini(c.1550-1680)Amor, io partoMadrigal for soprano voice, from "Le nuove musiche, 1601" set on an anonymous textIn this recording:Montserrat Figueras, sopranoHopkinson Smith, baroque guitarHarmonia MundiThe score I used is from a facsimile copy of Caccini's Le Nuove Musiche, 1601. I didn't edit the score at all, except that I cleared the specks around it . Here and there, the text may not be so easy to read on the score. But, as always, I included the text in modern spelling and the translation."Caccini's Le Nuove Musiche is a collection of works for solo voice and basso continuo. Caccini uses two distinct compositional styles in the collection: twelve "madrigals" -- through-composed, somewhat rhythmically-free compositions with rhapsodic passages designed to emphasise the important words in the text -- and ten "arias" which are shorter and usually strophic....The type of solo "madrigal" pioneered by Caccini is distinguished from the polyphonic madrigal which was the most popular form of secular composition during the late Renaissance."- Sheila Barnes"Madrigals are, according to Caccini's definition, through-composed one part pieces which are usually elaborately ornamented on non-strophic texts whose metric structure is irregular....One main theme dominates all of the poems upon which Caccini's Nuove Musiche is based: love. Two literary forms reflect the two aspects of love, the elegiac madrigal, in which the plaint of the hapless lover finds its expression, and the canzonetta, in which the joy of reciprocated love and the rapturous desire of the young lover is celebrated in many stanzas. In setting the madrigals Caccini chose a free recitative form, whereas the canzonette find their musical counterpart in rhythmically striking arie, which bear similarity to dance songs"- Silke Leopold"Among the notational innovations developed by Caccini was the specification and writing out of ornamentation. Previously, ornamentation had always been left to the discretion of the performers. In order to eliminate "excesses" on the part of singers (which presumably obscured the text), Caccini wrote out the music exactly as he wished it to be performed. He did, however, still allow for improvisation to emphasise significant words and cadences. The use of ornamentation was thus restricted to expressing the text, and was no longer an end in itself, as had been the case in earlier vocal practice. One type of ornamentation specified by Caccini, which may be less familiar to modern ears is the trillo: a kind of "tremolo" in which fluctuations of intensity are sounded like a reiteration of the note. Caccini includes the trillo in "the good manner of singing" as a thing written one way, but sung another way "for more grace" and "refinement" ("squisitezza"), qualities of which Castiglione would have approved."- Sheila BarnesOriginal text:Amor, io parto, e sento nel partireal penar, al morire,ch'io parto da colei ch'è la mia vita,se ben ella gioiscequand'il mio cor languisce.O durezza incredibil'e infinitad'anima che 'l suo corepuò restar morto, e non sentir dolore!Ben mi trafigge amorel'aspra mia pen', il mio dolor pungente,ma più mi duol il duol ch'ella non sente. Translation (by Flavio Ferri Benedetti): Love, I depart, and I feel while I part,while I suffer and while I die,that I part from her who is my life,although she rejoiceswhen my heart languishes.O incredible, endless harshnessof the soul: her heartcan die without feeling pain!Love pierces wellmy bitter pain and my sharp grief,but even more painful is the grief that she does not feel.
Chiodos - "the words best friends" drum cover
- Length: 3:15
- Rating: ( ratings)
- Views: 30
- Author: ZACKYRIAH1303
Tags: become best chiodos cover drum drums friends redefined solo words
i couldn't get the music exactly with the drumming and i messed up a lot of the fills but other than that it's pretty accurate
Stephen 'Friz' Frizzle: "Tom" and "Myspace Whore"
- Length: 3:19
- Rating: ( ratings)
- Views: 24
- Author: StephenFrizzle
Tags: Comedy Exactly Friz Frizzle Midnight Music Myspace Stand-up Stephen Tom Whore
Two songs about Myspace
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