Gaffa on Music on Demand

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Gaffa on Music on Demand

HILARY DUFF-BEAT OF MY HEART

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BEAT OF MY HEART-HILARY DUFF

Revival - Robin Mark

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Revival - Robin Mark

Gene Kelly - A Dance Tribute.

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  • Author: sandyzk123

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Eugene Curran "Gene" Kelly (August 23, 1912 -February 2, 1996) was an American Academy Award-winning dancer, actor, singer, director, producer, and choreographer.Kelly was a major exponent of 20th century filmed dance, known for his energetic and athletic dancing style, his good looks and the likeable characters that he played on screen. Although he is probably best known today for his performance in Singin' in the Rain, he dominated the Hollywood musical film from the mid 1940s until its demise in the late 1950s. In 1999, the American Film Institute named Kelly among the Greatest Male Stars of All Time, ranking at number fifteen.His first Broadway assignment, in November 1938, was as a dancer in Cole Porter's Leave It to Me! as the American ambassador's secretary who supports Mary Martin while she sings "My Heart Belongs to Daddy". He had been hired by Robert Alton who had staged a show at the Pittsburgh Playhouse and been impressed by Kelly's teaching skills. When Alton moved on to choreograph One for the Money he hired Kelly to act, sing and dance in a total of eight routines. His first career breakthrough was in the Pulitzer Prize-winning The Time of Your Life, which opened on November 11, 1939, where for the first time on Broadway he danced to his own choreography. In the same year he received his first assignment as a Broadway choreographer, for Billy Rose's Diamond Horseshoe. His future wife, Betsy Blair, was a member of the cast. They began dating and were married on October 16, 1941.In 1940, he was given the leading role in Rodgers and Hart's Pal Joey, again choreographed by Robert Alton, and this role propelled him to stardom. During its run he told reporters: "I don't believe in conformity to any school of dancing. I create what the drama and the music demand. While I am a hundred percent for ballet technique, I use only what I can adapt to my own use. I never let technique get in the way of mood or continuity." It was at this time also, that his phenomenal commitment to rehearsal and hard work was noticed by his colleagues. Van Johnson who also appeared in Pal Joey recalls: "I watched him rehearsing, and it seemed to me that there was no possible room for improvement. Yet he wasn't satisfied. It was midnight and we had been rehearsing since eight in the morning. I was making my way sleepily down the long flight of stairs when I heard staccato steps coming from the stage...I could see just a single lamp burning. Under it, a figure was dancing...Gene.Offers from Hollywood began to arrive but Kelly was in no particular hurry to quit New York. Eventually, he signed with David O. Selznick, agreeing to go to Hollywood at the end of his commitment to Pal Joey, in October 1941. Prior to leaving he also choreographed the stage production of Best Foot Forward.Kelly did not return to stage work until his MGM contract ended in 1957, and in 1958 he directed Rodgers and Hammerstein's musical play Flower Drum Song.Early in 1960 Kelly, an ardent Francophile and fluent French speaker, was invited by A. M. Julien, the general administrator of the Paris Opera, to select his own material and create a modern ballet for the company, the first time an American received such an assignment. The result was Pas de Dieux, based on Greek mythology combined with the music of George Gershwin's Concerto in F. It was a major success, and led to his being honored with the Chevalier of the Legion d'Honneur by the French Government.This is a dance tribute to Gene Kelly....In loving memory of my son Michael so cruelly wrenched from us at age 19. I Love you. Forever. Mom.

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