PIANIST PLAYING WITHOUT HEAD! music and movement
- Length: 1:47
- Rating: 5.00 (1 ratings)
- Views: 41
- Author: WolfgangEllenberger
Tags: movement music sciences sport
Magdeburg experiment the result of http://www.youtube.com/watch?v=bzDU_qXE-rs after analysing the movement. The pianist is "reduced" to his levers and the movements can be measured quantitatively with a software http://www.SIMI.com and then the music will be played to a dancer and she will be measured in 3D. Then we found a statistically significant correlation between movements of the pianist and the dancer. Probably the first quantitative music analysis....More explanations at http://ccc.docwebs.com/EN/ENpressenr04.htm as part of http://www.PIANOspecial.com Wolfgang Ellenberger
Contemporary Music Analysis Sample 2
- Length: 1:35
- Rating: 5.00 (1 ratings)
- Views: 89
- Author: andrewfilmer
Tags: Analysis Baroque Contemporary IUSB Jazz Music
In our first sample, we saw how Claude Bolling's orchestration is deliberately altered to blend with the jazz piano trio.In this second example from the end of the 4th movement we see how both baroque-like orchestra and jazz piano trio have their own moments, as well as many meeting places in between.We also see the return of the Mannheim steamroller from the first sample, showing how foreshadowing goes across the entire work.
Contemporary Music Analysis Sample
- Length: 2:8
- Rating: 5.00 (3 ratings)
- Views: 247' favoriteCount='1
- Author: andrewfilmer
Tags: Analysis Baroque Contemporary IUSB Jazz Music
A short sample from a presentation of crossover music for a contemporary music course at IUSB. Claude Bolling's Suite for Chamber Orchestra and Jazz Piano Trio combines various musical styles, the most notable being jazz and music from the baroque period.In his efforts to make these two genres blend in a cohesive fashion, the orchestration is designed with subtle hints of what is to come. This video takes the beginning of the suite to show how some of this is realized.The unexpected crescendo alludes to the Mannheim School-era orchestral crescendo, in particular to Carl Stamitz. While it doesn't seem to have a distinct function in this selection, it foreshadows a much larger crescendo at the end of the 4th movement.
kd lang - johnny get angry
- Length: 5:10
- Rating: 4.81 (21 ratings)
- Views: 2401' favoriteCount='32
- Author: shootmisshunt
masterpiece! If anyone is interested in learning more about this particularly enlightened interpretation there is a whole chapter dedicated to it in a book of music analysis called Understanding Rock, edited by John Covach. You can find it (and read it) @ books.google.com. Enjoy!
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