Independed Love(the true story)

  • Length: 7:33
  • Rating: ( ratings)
  • Views: 29
  • Author: GenderqueerRomeo

Tags: activist  country  fag  ftm  gren  history  homosexuall  lesbian  music  pop  queer  r&b  religious  soul  transsexual  unsigned  Åke 

who is welcome in heaven?a ftm boys story...

Darkbuster If grandma was a nazi Cover

  • Length: 0:39
  • Rating: 1.00 (1 ratings)
  • Views: 42
  • Author: jimmyaz101

Tags: against  all  authority  cover  covers  darkbuster  distortion  goldfinger  guitar  hardcore  indie  music  Punk  rancid  rock  social 

This is me covering darkbusters if grandma was a nazi. I have only been playing for 5 months so if you dont like it Fuck off! Enjoy

Bad Religion Cover Turn on the Light

  • Length: 1:49
  • Rating: ( ratings)
  • Views: 16
  • Author: 1brfan

Tags: Acoustic  Against  Bad  Cover  Grain  Light  Music  on  Religion  the  Turn 

This is a cover of the Bad Religion song "Turn on the Light."

Rossini's "A che quei tronchi" (Siragusa & Futral) #2

  • Length: 5:38
  • Rating: 5.00 (1 ratings)
  • Views: 39
  • Author: LindoroRossini

Tags: coloratura  Rossini 

15) "A che quei tronchi accenti" for Zelmira and Ilo from "Zelmira"."Zelmira" is, in many ways, an unusual opera. It doesn't feature a perfect story, like we get in "Ermione". It does have a tendency to lag a bit (at 3 hours of little stage action, it's perfectly explainable). Some of it's set pieces aren't as inspired as one would have hoped. And yet, it features quite a lot of music to die for :)! Though, not the present duet which is just a bit of a let-down on the whole (I'm primarily talking about two great arias for the villain, a beautiful cavatina for Ilo, an absolutely sublime duet for Zelmira and Emma, her confidante) (note to self: stop using "a little bit").The present duet follows the familiar Rossini formula very closely, though there are some surprises along the way. So, we get a classical "moderato - andante - tempo di mezzo - allegro (here a full cabaletta)". The suprise comes at the very first part which features an actual conversation between the characters in place of the more "proper" at this point "phrases on the same musical background". I personally also like the final section which is quite emotionally charged and rewarding for the soloists. The main problem with the piece lies in its length: 13 minutes of music against a very slim story line (Ilo tries to understand his beloved's turmoil, as she basically mutters throughout: "What to say?"). A duettino, like in "La donna del lago" would have been better suited to the scene and the rest could have been summarized in a bit of creative recitative. But what we get is a long-winded and basically irrelevant emotionally scene. Still, it is enjoyable and doesn't really bug the listener too much :)! As the piece is quite long, I'm posting it in two separate pieces: first, the moderato and andante; and then, the tempo di mezzo and allegro.Antonino Siragusa and Elizabeth Futral, thankfully, add very much to the enjoyment :)!

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