Part of : Rap Show (PDM) B.P ft. Ying Yann & Double M
- Length: 1:53
- Rating: ( ratings)
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- Author: MadnessUnit
Tags: B.P Double hip-hop music PDM rap west Yann Ying
I take this rap show produced by B.P at Polyvalente Deux-Montagnes, include Ying Yann & Double M. Three rapper from Canada (Québec). BUT IS ONLY A PART, I can't put the show cuz it too big, I got it on Facebook completly on facebook, search "Francis Lapointe Deraiche".If you like this music, you can also visite this website :- http:\\www.purevolume.com\yingyann- http:\\www.purevolume.com\bpw2recordzFresh Flavor (Ying Yann's album)W2recordz VOL.1 (B.P's album)The One of a Kind (B.P's album)ALL 10$ only
LOOKING FOR A FEW GOOD MEMBERS
- Length: 6:50
- Rating: ( ratings)
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- Author: micahmix
Tags: Area Bay christian church coast Diego funny laughing music San singing west
A church's music department is in need of help!
OLD SCHOOL NEW SHIT
- Length: 1:5
- Rating: ( ratings)
- Views: 19
- Author: X13SURSIDE13X
Tags: alternative hip-hop music r&b rap unsigned world
I MADE THIS IN FL STUDIO... I KNOE THE MAIN SYNTH IS KIND OF OLD BUT IT WORKS :-)... PLEASE HIT MY COMMENTS UP AND TELL ME WHAT YOU THINK AND FEEL FREE TO FREESTYLE TO IT......HAS NOTHING TO DO WITH PORN TITS XXX RAP HIP HOT R B GANGSTA CHICANO BEAT FREESTYLE UNDERGROUND UNSIGNED COOL THE SHIT LONG SHORT SONG MUSIC WEST SIDE CONNECTION MOS DEF NATE DOGG SNOPP DOGG WARREN G RZA WUTANG CLAN MOBB DEEP JAY Z UPSTATE SOUTHSIDE SURENOS SUR CALIFAS CALI LIFE STYLE EL MONTE SGV ETC.
Method Man+Supercat - Wardance - Jungle Mix - Buzz fm Manchester
- Length: 5:23
- Rating: ( ratings)
- Views: 7
- Author: snowmanbuzzfm
Tags: 1997 block buzz congo d+b fm hip hop jungle man manchester method natty old pirate r+b radio reggae skool snowman soul supercat tower wardance
Taken from the year of 1997, is this banger from UK DJ, Rapper and Producer Mike West a.k.a Congo Natty, legend of UK underground music.The Jungle remix of Method Man + Supercat - WARDANCE.In the early 1980s, Mike West formed the Double Trouble who released "Just Keep Rockin" on the Desire record label in 1989 as Double Trouble and Rebel MC. The single was a UK Top 20 hit, and the follow-up "Street Tuff" (1989) was his biggest success, reaching #3 in the UK Singles Chart.Because of the style and content of these releases, West was often dismissed by a British hip-hop community, distrustful of pop success and "selling out". The release of his first album Rebel Music (Desire, 1990) did little to change their views. This album included the popular dance track "Better World".This was soon to change, however, as West used the money he had made from his pop successes to record his second album. Black Meaning Good (Desire, 1991) was a complete change of style for West, mixing his former pop-rap influences with reggae, hip hop, dance and the emerging jungle styles. It featured ragga notables like Barrington Levy, Tenor Fly and Dennis Brown crooning and toasting on top of reggae-house music rhythms.Forming the Tribal Bass label, Rebel MC released "Tribal Bass" (1992) and the Demon Boyz "Dett" (1992) and "Jungle-ist" (1993) which were hip house tracks. The X Project label followed shortly with the "Old School Ting" (1993) single. As Conquering Lion, West, with help from DJ Ron and Jumping Jack Frost, released the sound system mash up "Lion of Judah/Innah Sound/Dub Plate Special" (1993). With vocals from Supercat, Conquering Lion's "Code Red/Phenomenon" (1994) caught the attention of 4th & Broadway who re-released the track along with "Rastaman/Word, Sound and Power/Code Black" (1995).Tribal Bass gradually mutated into Congo Natty, and West himself released some material under this name, before settling on the Conquering Lion name. However, this was not the last the world heard of Rebel MC. Despite his continued success with his new style of music (West is one of the few artists from the first wave of British hip hop to continue recording throughout the years to the present day), West released the single "Junglist" (Congo Natty, 2004) under the Rebel MC name, and followed this up with a greatest hits album Born Again (Congo Natty, 2005)Method Man was the first - and biggest -solo star to emerge from the groundbreaking Wu-Tang Clan. His mush-mouthed, sandpaper-rough bellow (at times recalling EPMD's Erick Sermon) and imaginative rhymes, easily made him one of the most recognizable, unpredictable MCs in the group, yet his flow was more deliberate and laid-back than the Wu's then resident loose cannon, Ol' Dirty Bastard. On his solo records, Method Man developed a persona that swung from offhand, understated menace to crazy stoner humor. Toward the end of the '90s, his frequent team ups with his cousin Redman produced not only a terrific musical chemistry, but an eventual big-screen comedy team as well.Super Cat made his recording debut in 1981 with the single "Mr. Walker," recorded for the Techniques label and produced by Winston Riley. A succession of singles for various labels followed, as did his debut album Si Boops Deh, which appeared on Techniques in 1985. Settling for a short time on the Skengdon label, Super Cat recorded another album, Boops, but soon grew dissatisfied enough with the business aspect of recording to start his own label, Wild Apache Productions. The self-produced album Sweets for My Sweet followed in 1988, as did a number of singles produced for other artists on the Wild Apache imprint; Super Cat also teamed up with Nicodemus and Junior Demus for the first triple-team DJ album in dancehall history, Cabin Stabbin'. Emboldened by success, Super Cat decided to move to New York City and attempt to crack the American market. He secured a major-label deal with Columbia and landed the track "Nuff Man a Dead" on their compilation Dancehall Reggaespanol; in 1992, he issued one of the first major-label dancehall albums, the acclaimed Don Dada. Several high-profile TV and concert festival appearances followed, and Source magazine named Super Cat their Dancehall Artist of the Year for 1993. The following year, he reunited with Nicodemus and Junior Demus, adding Junior Cat to make the resulting album The Good, the Bad, the Ugly, and the Crazy a four-way collaboration. Super Cat's own fusion of dancehall, roots reggae, hip-hop, and R&B was next showcased on the proper follow-up to Don Dada, 1995's The Struggle Continues. While the album was another success, Super Cat really raised his profile in the pop mainstream with his guest shot on Sugar Ray's 1997 smash "Fly," which prominently featured his toasting skills. Columbia capitalized on the resulting exposure in 1998 with the singles compilation The Good, the Better, the Best of Super Cat.
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