So I madez me a Livejournal Account (Kirby 64 Popstar)
- Length: 3:55
- Rating: 5.00 (5 ratings)
- Views: 236' favoriteCount='3
- Author: fairuzons
Tags: 64 Account Fairuzons Kirby Livejournal Popstar
http://fairuzons.livejournal.com/ NEVER TAKE MY LIVEJOURNAL SERIOUSLY....Unless you want to.Yeah I made a Livejournal account because blogging shit on youtube would be a waste of time when I can just upload videos here.Anyways what will the blog have? Well besides the fact taking the blog seriously will be the last thing anyone would do there will be MP3 download to songs that I didn't put MP3 downlaods to up here and even future updates to things I might start over on youtube as well as opinions on recent findings and stuff in the gaming or movie world. However I'm sure you all just want the music, it'll be updated daily...besides this week due to thanksgiving break and going over to a friend..teacher's house for the week.
Footprints A Tribe Called Quest
- Length: 4:3
- Rating: 5.00 (1 ratings)
- Views: 220' favoriteCount='3
- Author: Armeniacolombia29
Tags: again Ali and Award Called City Dawg Electric Footprints go Got Hip Hop Instinctive Jarobi Jazz Lyrics Muhammad New NYC of once out Paths People's Phife Q-Tip Quest Rap Relaxation Rhythm Shaheed stressed The to Tour Travels Tribe We've York
From People's Instinctive Travels and The Paths of RhythmAs we start trudgin, me and my brothers we be lookin and be bugginVehicles of life they be rollin and be merginSearchin for the virgins of lifethat be shovin out the door that's crackThe valleys of time, are always on my feetAs least the beat will combineThe calluses and corns with the funky basslineYou don't need underdog for a nickel shoeshine or the shoes that's phatWell can I get a level on the bass and on the trebleFootin up and down like a UNLV RebelThe answer be amongst us cuz we rarely dig acousticsCan't be too much flackin, not too much packinYou must container that at least to dip your hand in rapYour feet will be infectious so at least realise the factThe rhythms are inserted and the nurse can be convertedThis ain't rock 'n' roll cuz the rap is in controlIf you're a megastar, worth will buy you a carI'd rather go barefootin, for prints I will be puttinall over the earth if we can get there firstNow that we are in it, footprints are bein printedSo if you recognize 'em, you can try to size 'emThey'll probably be the ones with the size not fryinall over reveal, you won't have to yieldIf you want protection you can hide behind the shieldFootprints y'all...You can game on the gallons if you really need to rockBut we walk while we talk as we stompin through the blockHand in hand 'cross the land as Muhammad cross the fadeIt's a Tribe who meanders, precious like a jadeIt's a art, Theo arch rhymes the ground placed uponThe mind will unwind, it will soft to beyondCatch the track, track by track, get a map to track a trailYou will find yourself behind for a map does not prevailSee the levels peakin as the rhythms keep-a screechinA Quest, oh yes a Quest, inside the jam I will keep preachinthe point, oh yes the point, because it's close but yet so farThe loudiness is ringin as we scoot across the starWe are bulgin, I'm indulgin in a rat-a-tat-tatExplanation for the liners that the rhythm is phatKeep it wild, wide and deep, you could dig it in a jeepBut dig it in the ground because the foot print nowFootprints y'all...(Walk tall...)If there's a storm that's brewin, it won't keep us from doinour thing as we start swingin, travellin is bringinjoy inside the domes as we hit the road to roam/RomeA chair is not a chair, a house is not a homeBecause my skin is brown, yo I'm gonna do the townRub it in the face and rub my feet all through the placeWhen you get your finger on the music it'll lingerSing a song o' sixpence, sing it like a singerA Nubian, a Nubian, a proud one at thatRemember me, the brother who said "Black is black"You can come by request, I don't play, I don't dressGet emotions off your chest, we are black, we the bestMakin moves, makin motions, flowin like an oceanThe walkin will continue, we know that we will bring youthe times that you have waited, more anticipatedBe gone but not for long because the feet will stay strongAll lyrics by A Tribe Called Quest
Trust to Rust
- Length: 4:33
- Rating: 5.00 (1 ratings)
- Views: 22
- Author: DOIband
Here's a song that Tommy wrote the lyrics to and we both worked out the music. It'll take some practice for me to get the vocals and the music to sync up! Nice guitar riff tho!
TIMI YURO - Tears On My Pillow
- Length: 3:55
- Rating: 5.00 (8 ratings)
- Views: 4705' favoriteCount='32
- Author: MusicMeanMachine
"TEARS ON MY PILLOW" - TIMI YURO, born Rosemary Timotea Yuro on August 4th 1940 in Chicago, Illinois U.S.A., was an American soul and R&B singer. She is considered to be one of the first blue-eyed soul stylists of the rock era.According to her record label, Liberty Records, Timi moved with her family to Los Angeles. There, she sang in her parents' Italian restaurant and in local clubs before catching the eye and ear of record executives. Signed to Liberty, she had a U.S. Billboard No. 4 single in 1961 with "Hurt", an R&B ballad that had been an early success for Roy Hamilton. On "Hurt" and on her Billboard No. 12 follow-up in 1962, "What's a Matter Baby (Is It Hurting You?)", Yuro showed an emotional but elegant vocal style that owed a debt to Dinah Washington and other black jazz singers. Many listeners in the early 1960s thought Yuro was black. She opened for Frank Sinatra on his 1961 tour of Australia. In 1963, Liberty released Make the World Go Away, an album of country and blues standards. The singer at her vocal peak, this recording includes a powerful title track of the same name, a beautifully understated version of Willie Nelson's "Permanently Lonely", and two different blues takes of "I'm Movin' On". Yuro was also known for soulful reworkings of popular American standards, such as "Let Me Call You Sweetheart", "Smile", and "I Apologize". In the 1960s, Yuro made two TV appearances on The Ed Sullivan Show and was a guest on American Bandstand, Where the Action Is, and The Lloyd Thaxton Show. In 1967, Yuro appeared in a black-and-white film in the Philippines as a guest star alongside Filipino comedians Dolphy and Panchito in a comedy titled Buhay Marino (Life of a Sailor). At that time, the singer was very popular in the Philippines. By the late 1960s, Yuro had performed in venues from London to Las Vegas. However, her career soon lost its early momentum, and she quit the music business altogether after her marriage in 1969. When Yuro began to sing again in the 1980s, her doctors detected throat cancer. Her larynx was eventually removed and in 2004 she died of cancer. Her last recording was the 1984 CD Timi Yuro Sings Willie Nelson, produced by her old friend Nelson. Yuro's work is admired in the United States as well as in Great Britain and the Netherlands. According to the obituary in the Las Vegas Sun, her hometown paper, Yuro's most famous fan was probably Elvis Presley, who commanded his own table at the casino where Yuro headlined in the late 1960s. (Presley had a Top 10 country hit with his 1976 version of "Hurt".) In April 2004, Morrissey announced Yuro's death on his official website, describing her as his "favorite singer". (Morrissey also recorded a version of Yuro's "Interlude" with Siouxsie Sioux in 1994.) P.J.Proby knew Timi Yuro from their time in Hollywood, and often mentions it during his performances of "Hurt".Elkie Brooks recorded a version of Yuro's classic "What's a Matter Baby" on her 1988 album Bookbinder's Kid. Timi was so impressed with the version, she contacted Brooks while she was on a UK tour, and the two kept in contact. Yuro found success on the dance floors of northern England in the 1970s and 1980s when Northern Soul DJs championed her up-tempo tracks of "It'll Never Be Over for Me" and "What's a Matter Baby". The latter was re-released on Kent Records in the 1980s. Timi died March 30th 2004 in Las Vegas, Nevada, U.S.A. as a result of brain cancer.
Page: 1 of 10
