Thank you (cover by EXIST)
- Length: 3:46
- Rating: 5.00 (2 ratings)
- Views: 219' favoriteCount='2
- Author: EXIST13i13
Tags: Country Exist Folk fretwell Indie Music Stephen thank World you
Stephen fretwell cover, i fucked it up by pressingpause for 3 seconds (sorry team) lolHope u's enjoy the video!EXIST
Mourning (2007) excerpt
- Length: 6:35
- Rating: 5.00 (2 ratings)
- Views: 125' favoriteCount='4
- Author: eikoandkoma
Tags: and arts avant-garde dance Eiko Japan Koma Leng Margaret New performing Society Tan York
Eiko & Koma are collaborating with the celebrated avant-garde pianist Margaret Leng Tan on an evening-length work, Mourning. The work will premiere at Japan Society in New York October 18-20, 2007 as part of the commemoration of Kazuo Ohno's 101st birthday and the 100th anniversary of Japan Society itself, which in 1976 hosted Eiko & Koma's New York City debut.These three middle-aged artists are all first-generation Asian-Americans. Having been influenced by each other's work for more than two decades, these idiosyncratic spirits will share the stage for the first time. For them, Mourning is a grieving not only for man's cruelty to man, but a remorse for the pain that humans have inflicted upon the earth and all of its living beings.From Ms. Tan's carefully-nurtured, diverse repertoire, the collaborators chose four works that they found the most intense and representative of the theme of mourning -- In the Name of the Holocaust (1942) by John Cage , Merry Christmas, Mrs. Whiting (1982) by Bunita Marcus (piano, toy piano), and Litania (1973) and A Gate Into the Stars (1982) both by Somei Satoh. The movement and the music exist independently with no attempt at synchronization. Inspired by Ms. Tan's singular musicality and intense commitment to her repertoire, Eiko & Koma will revisit their own repertoire, Fur Seal (1977), Tree ( 1988), Tree Song (2004) and Offering (2002) in particular, to continue their investigations. Together Ms Tan and Eiko & Koma will delve into images associated with dislocation, death, mourning and intimacy previously explored by these artists in their long careers.By sharing their independent aesthetics, Ms. Tan and Eiko & Koma hope to fuse dance and music in ways that foster both empathy and solitude.The stage set is created by Eiko & Koma and lighting is by David Ferri.eikoandkoma.org
Exist
- Length: 4:6
- Rating: ( ratings)
- Views: 22
- Author: asswhipe50
Tags: alternative amazing awsome black cool enjoy exist funny girls guitar metal music my myspace pics pictures Pitch Rasmussen song space stars the Troels universe up wake
A song i did. Nothing fancy. Features me, my guitar and some cool pics of the universe. Hope u enjoy
Russ Gabriel - React
- Length: 7:17
- Rating: 4.33 (6 ratings)
- Views: 1095' favoriteCount='13
- Author: ragezer
Tags: Gabriel Mobilee Ragezer React Russ Teotsan
In three short years, Mobilee hasn't only built out one hell of a roster; it has nurtured its expanding lineup into something resembling a family. It's easy to feel proud after putting together a crew like this. But this time it's our turn to be humble, as we welcome a true techno veteran to the fold: Russ Gabriel.Russ almost certainly needs no introduction: since 1993, he and his Ferox label have helped define the sound of UK techno, merging elements from Detroit and Chicago into a sound that stands confidently on its own.Russ had been quiet for a few years, until last year he announced the return of Ferox. Now he comes to Mobilee with a record that confirms his reputation as one of electronic music's true, enduring greats. Recognizing that power isn't all about brute force, both cuts hypnotize and seduce with elegant constructions and slowly shifting modulations. Simplicity and finesse rule the day."React" opens with softly pumping chords and handclaps cloaked in faraway reverb, setting a muted, dusky mood.It builds almost imperceptibly, with minor-key detailing creeping in from the corners like spiders climbing wispywebs. Nimble sub-bass struts across the low end, more felt than heard. And that, structurally speaking, is all there is: this is a lesson in less-is-more. What makes it special is the way that Russ lovingly teases all the elements out of hiding, filtering and EQing as though catching light in an abalone shell. The track's delicacy is offset only by a slow crescendo of 909 drums from deep in the mix. But forget about form—it's the feeling that matters here. Raw and emotive, this is how techno was always supposed to sound."The Fall Guy" plays with the same ideas—cottony chords, gentle syncopations, gauzy filters reminding you that sensuality is as much about concealing as revealing. This time, though, Russ stretches out and really takes his time, drawing the tune out to 13 minutes long—13 minutes that pass in an eyelid's flicker. This is what hypnosis sounds like. Slowly, subtly detuned notes flash up and dissolve into the fabric of the music. The track is a reminder that it's all in the fingertips, that house music isn't just a matter of rhythm, of the right chords, but of having the earfor detail, for having the patience to let the music exist at its own pace. A reminder that deep isn't just a state of mind: it's a state of being.
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