Mattia Jumper (jumpstyle)
- Length: 1:26
- Rating: 5.00 (3 ratings)
- Views: 320' favoriteCount='2
- Author: perudinho
Tags: cale hardcore hardstyle jumpstyle malato music pervrtiti pogo
tia ke balla da sul..xd
Single Jumpstyle
- Length: 0:35
- Rating: 3.33 (3 ratings)
- Views: 243
- Author: perudinho
Tags: cale hardcore hardstyle jumpstyle malato music pervrtiti pogo
io ke ballo da solo ahuuahua
The Velvet Underground - The Black Angel's Death Song
- Length: 3:12
- Rating: 4.00 (4 ratings)
- Views: 1989' favoriteCount='4
- Author: blestemp
Tags: 1966 1967 Album Andy Banana Lou Nico Reed Rock The Underground Velvet Warhol
The Velvet Underground and Nico Studio album by The Velvet Underground & Nico The Velvet Underground and Nico is the debut The Velvet Underground and Nico Studio album by The Velvet Underground & Nico The Velvet Underground and Nico is the debut album by experimental rock band The Velvet Underground and vocal collaborator Nico. It was originally released in March 1967 by Verve Records, a subsidiary of MGM Records.Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour, The Velvet Underground and Nico would gain notoriety for its experimentalist performance sensibilities, as well as its focus on controversial subject matter in songs such as "Heroin".Though largely ignored upon its release, it has since become one of the most influential and critically lauded rock albums in history, appearing as #13 on Rolling Stone magazine's list of the 500 greatest albums of all time[1] as well as being added to the 2006 National Recording Registry by the Librarian of Congress.The Velvet Underground and Nico is sometimes referred to as the "banana album" as it features a Warhol print of a banana on the cover. Early copies of the album invited the owner to "Peel slowly and see"; peeling back the banana skin revealed a flesh-colored banana underneath. A special machine was needed to manufacture these covers (one of the causes of the album's delayed release), but MGM paid for costs figuring that any ties to Warhol would boost sales of the album.[6][3]On the 1996 CD reissue, the banana image is on the front cover while the image of the peeled banana is on the inside of the jewel case, beneath the CD itself.Much of the album's sound was conceived by John Cale, who stressed the experimental qualities of the band. Cale, who was influenced greatly by his work with La Monte Young, John Cage and the early Fluxus movement, encouraged the use of alternative ways of producing sound in music. Cale thought his sensibilities meshed well with Lou Reed's, who was already experimenting with alternative tunings. For instance, Reed had "invented" the ostrich guitar tuning for a song he wrote called "The Ostrich" for the short-lived band The Primitives. Ostrich guitar tuning consists of all strings being tuned to the same note. The method was utilized on songs "Venus in Furs" and "All Tomorrow's Parties". Often, the guitars were also tuned down a whole step, which produced a lower, fuller sound that Cale called "sexy".Track History: Recorded April 1966 at Scepter Studios, New York City, the music is dominated by the piercing sound of John Cale's electric viola, creating dissonance throughout the song. Also throughout the song are loud bursts of audio feedback, primarily from Cale hissing into the microphone. The guitars in the song are downtuned a whole step (as is common with a handful of other songs on The Velvet Underground and Nico).The song is a good example of the avant-garde nature of The Velvet Underground. Lou Reed's intense, ranting, nasal delivery — in the manner of a preacher's hellfire-and-damnation sermon — and the deliberately fragmented, often nonsensical lyrics — full of cryptic and forbidding imagery — are particularly unorthodox for the time that they were written and recorded. Some have suggested that the song is a parody of/homage to the vocal and lyrical style of Bob Dylan.Lyrics: The myriad choices of his fateSet themselves out upon a plateFor him to chooseWhat had he to loseNot a ghost bloodied countryAll covered with sleepWhere the black angel did weepNot an old city street in the eastGone to chooseAnd wandering's brotherWalked on through the nightWith his hair in his faceOn a long splintered cut from the knife of G.T.The rally man's patter ran on through the dawnUntil we said so longTo his skull-shrill yellShining brightly red-rimmed andRed-lined with the timeInfused with the choice of the mindOn ice skates scraping chunksFrom the billsCut mouth bleeding razor'sForgetting the painAntiseptic remains cool goodbyeSo you flyTo the cozy brown snow of the eastGone to choose, choose againSacrificials remains make it hard to forgetWhere you come fromThe stools of your eyesServe to realize fame, choose againAnd roverman's refrain of the sacrilege recluseFor the loss of a horseWent the bowels and a tail of a ratCome again, choose to goAnd if Epiphany's terror reduced you to shameHave your head bobbed and weavedChoose a side to be onIf the stone glances offSplit didactics in twoLeave the colors of the mouse trailsDon't scream, try betweenIf you choose, if you choose, try to loseFor the loss of remain come and startStart the game I che che che che IChe che che ka tak kohChoose to chooseChoose to choose, choose to go
The Velvet Underground - I'll Be Your Mirror
- Length: 2:7
- Rating: 4.83 (6 ratings)
- Views: 2858' favoriteCount='18
- Author: blestemp
Tags: 1966 1967 Album Andy Banana Lou Nico Reed Rock The Underground Velvet Warhol
The Velvet Underground and Nico Studio album by The Velvet Underground & Nico The Velvet Underground and Nico is the debut album by experimental rock band The Velvet Underground and vocal collaborator Nico. It was originally released in March 1967 by Verve Records, a subsidiary of MGM Records.Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour, The Velvet Underground and Nico would gain notoriety for its experimentalist performance sensibilities, as well as its focus on controversial subject matter in songs such as "Heroin".Though largely ignored upon its release, it has since become one of the most influential and critically lauded rock albums in history, appearing as #13 on Rolling Stone magazine's list of the 500 greatest albums of all time[1] as well as being added to the 2006 National Recording Registry by the Librarian of Congress.The Velvet Underground and Nico is sometimes referred to as the "banana album" as it features a Warhol print of a banana on the cover. Early copies of the album invited the owner to "Peel slowly and see"; peeling back the banana skin revealed a flesh-colored banana underneath. A special machine was needed to manufacture these covers (one of the causes of the album's delayed release), but MGM paid for costs figuring that any ties to Warhol would boost sales of the album.[6][3]On the 1996 CD reissue, the banana image is on the front cover while the image of the peeled banana is on the inside of the jewel case, beneath the CD itself.Much of the album's sound was conceived by John Cale, who stressed the experimental qualities of the band. Cale, who was influenced greatly by his work with La Monte Young, John Cage and the early Fluxus movement, encouraged the use of alternative ways of producing sound in music. Cale thought his sensibilities meshed well with Lou Reed's, who was already experimenting with alternative tunings. For instance, Reed had "invented" the ostrich guitar tuning for a song he wrote called "The Ostrich" for the short-lived band The Primitives. Ostrich guitar tuning consists of all strings being tuned to the same note. The method was utilized on songs "Venus in Furs" and "All Tomorrow's Parties". Often, the guitars were also tuned down a whole step, which produced a lower, fuller sound that Cale called "sexy".Track History: "I'll Be Your Mirror" is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground and Nico. It also surfaced as a single a year earlier with "All Tomorrow's Parties" in 1966.Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, "Oh Lou, I'll be your mirror." "I'll Be Your Mirror" was the most difficult for Nico to record, as the band wanted her to provide slender, delicate vocals for the song, yet she would sing louder, more aggressive vocals take after take. Sterling Morrison described the ordeal in an interview:She kept singing "I'll Be Your Mirror" in her strident voice. Dissatisfied, we kept making her do it over and over again until she broke down and burst into tears. At that point we said, "Oh, try it just one more time and then fuck it — if it doesn't work this time, we're not going to do the song." Nico sat down and did it exactly right.The members of the band enjoyed her particular performance on the song so much that after she left the band in late 1967, live vocals for the song were done imitating Nico's accent.Lyrics: Ill be your mirrorReflect what you are, in case you dont knowIll be the wind, the rain and the sunsetThe light on your door to show that youre homeWhen you think the night has seen your mindThat inside youre twisted and unkindLet me stand to show that you are blindPlease put down your handscause I see youI find it hard to believe you dont knowThe beauty that you areBut if you dont let me be your eyesA hand in your darkness, so you wont be afraidWhen you think the night has seen your mindThat inside youre twisted and unkindLet me stand to show that you are blindPlease put down your handscause I see you
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