Shostakovich - Ballet Suite No. 3 - Part 1/6

  • Length: 2:25
  • Rating: 5.00 (2 ratings)
  • Views: 83' favoriteCount='1
  • Author: imusiciki

Tags: ballet  dmitri  shostakovich  suite 

Ballet Suite No. 3 (1952)(I) Waltz (The Human Comedy)(II) Gavotte (The Human Comedy)(III) Dance (The Limpid Stream)(IV) Elegy (The Human Comedy)(V) Waltz (The Limpid Stream)(VI) Galop (The Limpid Stream)Composer: Dmitri Shostakovich (1906-1975)Orchestra: Russian Philharmonic OrchestraBallet Suite No. 3 (1952) is derived from two sources. The incidental music for Pavel Sukhotin's 1934 production of Balzac's The Human Comedy yields the lively opening Waltz, a fetching Gavotte, which could almost pass as a mid-century reorchestration of Delibes or Messager, and an Elegy, whose main melody ranks among Shostakovich's most personable melodic inspirations. Before that, The Limpid Stream provides a Dance which recalls - or rather anticipates - the famous Galop from Kabalevsky's ballet The Comedians, as well as the final two numbers: a Waltz, which is the essence of the 'light music' aesthetic, and a Galop which propels the suite to a suitably energetic finish.http://www.naxosdirect.com/title/8.557208

Shostakovich - Ballet Suite No. 3 - Part 2/6

  • Length: 2:7
  • Rating: 5.00 (2 ratings)
  • Views: 48
  • Author: imusiciki

Tags: ballet  dmitri  shostakovich  suite 

Ballet Suite No. 3 (1952)(I) Waltz (The Human Comedy)(II) Gavotte (The Human Comedy)(III) Dance (The Limpid Stream)(IV) Elegy (The Human Comedy)(V) Waltz (The Limpid Stream)(VI) Galop (The Limpid Stream)Composer: Dmitri Shostakovich (1906-1975)Orchestra: Russian Philharmonic OrchestraBallet Suite No. 3 (1952) is derived from two sources. The incidental music for Pavel Sukhotin's 1934 production of Balzac's The Human Comedy yields the lively opening Waltz, a fetching Gavotte, which could almost pass as a mid-century reorchestration of Delibes or Messager, and an Elegy, whose main melody ranks among Shostakovich's most personable melodic inspirations. Before that, The Limpid Stream provides a Dance which recalls - or rather anticipates - the famous Galop from Kabalevsky's ballet The Comedians, as well as the final two numbers: a Waltz, which is the essence of the 'light music' aesthetic, and a Galop which propels the suite to a suitably energetic finish.http://www.naxosdirect.com/title/8.557208

Shostakovich - Ballet Suite No. 3 - Part 3/6

  • Length: 1:59
  • Rating: 5.00 (2 ratings)
  • Views: 28
  • Author: imusiciki

Tags: ballet  dmitri  shostakovich  suite 

Ballet Suite No. 3 (1952)(I) Waltz (The Human Comedy)(II) Gavotte (The Human Comedy)(III) Dance (The Limpid Stream)(IV) Elegy (The Human Comedy)(V) Waltz (The Limpid Stream)(VI) Galop (The Limpid Stream)Composer: Dmitri Shostakovich (1906-1975)Orchestra: Russian Philharmonic OrchestraBallet Suite No. 3 (1952) is derived from two sources. The incidental music for Pavel Sukhotin's 1934 production of Balzac's The Human Comedy yields the lively opening Waltz, a fetching Gavotte, which could almost pass as a mid-century reorchestration of Delibes or Messager, and an Elegy, whose main melody ranks among Shostakovich's most personable melodic inspirations. Before that, The Limpid Stream provides a Dance which recalls - or rather anticipates - the famous Galop from Kabalevsky's ballet The Comedians, as well as the final two numbers: a Waltz, which is the essence of the 'light music' aesthetic, and a Galop which propels the suite to a suitably energetic finish.http://www.naxosdirect.com/title/8.557208

Shostakovich - Ballet Suite No. 3 - Part 4/6

  • Length: 3:28
  • Rating: 5.00 (1 ratings)
  • Views: 43' favoriteCount='1
  • Author: imusiciki

Tags: ballet  dmitri  shostakovich  suite 

Ballet Suite No. 3 (1952)(I) Waltz (The Human Comedy)(II) Gavotte (The Human Comedy)(III) Dance (The Limpid Stream)(IV) Elegy (The Human Comedy)(V) Waltz (The Limpid Stream)(VI) Galop (The Limpid Stream)Composer: Dmitri Shostakovich (1906-1975)Orchestra: Russian Philharmonic OrchestraBallet Suite No. 3 (1952) is derived from two sources. The incidental music for Pavel Sukhotin's 1934 production of Balzac's The Human Comedy yields the lively opening Waltz, a fetching Gavotte, which could almost pass as a mid-century reorchestration of Delibes or Messager, and an Elegy, whose main melody ranks among Shostakovich's most personable melodic inspirations. Before that, The Limpid Stream provides a Dance which recalls - or rather anticipates - the famous Galop from Kabalevsky's ballet The Comedians, as well as the final two numbers: a Waltz, which is the essence of the 'light music' aesthetic, and a Galop which propels the suite to a suitably energetic finish.http://www.naxosdirect.com/title/8.557208

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